Atomos Sumo 19″ SE HDR Monitor, Recorder, and Switcher

Atomos Sumo 19″ SE HDR Monitor, Recorder, and Switcher Specification Physical Dimensions (W x H x D mm) 504mm x 310mm x 63m / 19,8″ x 12,2″ x 2,5″ Weight 6.2 kg / 13.7 lb Mounting Points Top: 4 x 1/4″20, 2 x 3/8″, Bottom: 6 x 1/4″20, 3 x 3/8″ Right: 4 x 1/4″20, 2 x 3/8″, Left: 2 x 1/4″20, 1 x 3/8″ VESA Mount 100 x 100 Environmental Ambient operating temperature Up to 40 Degrees Celsius Construction Cooling Heat Sink + Actively controlled Fan Tally light LED on the Front & Rear of the Device Multi-Function Button Power / Lock Screen Touch Screen Capacitive Touch Power Input Voltage DC 12V to 16.8V Operating Power 75W Compatible Batteries 95Wh+ V-Lock / Anton Bauer Gold Mount via XLR Terminal (Optional Mounting Plates available) Battery Voltage 14.4V Nominal Continuous Battery Power Dual Battery Input via dedicated 4-Pin XLR DC in Connector 1 x 4-Pin XLR for included DC Power Supply D-Tap Via optional D-Tap to 4-Pin XLR Cable Display Display Panel SuperAtom IPS Panel (Capacitive Touch) Size 19″ Resolution 1920 x 1080 PPI 120 Bit Depth 10-Bit (8+2 FRC) Backlight Type Edge-Lit + Optically Bonded Quantum Dot Brightness (cd/m² / nits) 1200nit +/- 10% Aspect ratio 16:09 Color Gamut DCI P3 Calibration Support ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus Color Pipeline Gamma Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log Gamut BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut 3D LUT Display .Cube Format (17 & 33 points supported) 3D LUT Output Loop out 3DLUT 50/50 Via Compare Option in LUTs Menu Monitoring Modes Native / 709 / HLG / PQ / 3D LUT HDR Output Conversion HLG / PQ Color Management Calibration ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus Display Controls Backlight, Lift, Gamma, Gain AtomHDR Built-in Technical Log to HDR EOTF 3D LUTs Load.Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals Legalize Full to Legal Range Conversion available via Input Menu Video Input HDMI 1 x HDMI 2.0 SDI 2 x 12G SDI (6G/3G Backwards Compatible) + 2 x 3G SDI Bit Depth 8/10-Bit for Video / up to 12-Bit for RAW Video Chroma Subsampling YCbCr 4:2:0 & 4:2:2 HDR HDMI Auto Detection Metadata SDI File Name – Arri & RED. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut File Naming Standard Scene/Shot/Take & Rolling Scene/Shot/Take Via SDI Auto-matched filenames from supported Arri & RED Cameras Video Output HDMI 1 x HDMI (2.0) SDI Loop / Play Out 1 x 12G SDI Video Chroma Subsampling 4:02:02 Bit Depth 10-Bit HDR HDMI Auto Detection Video Signal Conversion HDMI to SDI Supported SDI to HDMI Supported Audio In/Out Audio Quality 24-Bit / 48kHz Audio Codec PCM HDMI 8ch 24-Bit, Input dependent SDI 12ch 24-Bit, Input dependent Analog Audio In 2 x 3-Pin XLR(F) Analogue Audio Out 2 x 3-Pin XLR(M) Speakers 2 x Built-In 5W Speakers Headphone Out 3.5mm Jack Timecode / Sync HDMI Embedded Supported SDI Embedded Supported Time of Day Supported LTC LTC via dedicated BNC Input (Record Mode only) Genlock Supported (Playback Mode only) Resolution and Frame Rates (Record, Monitor & Playback) 6K RAW up to 6Kp30 via SDI 4K RAW up to 4Kp60 via SDI 2K RAW up to 2Kp240 via SDI 4K DCI up to 4Kp60 4K UHD up to UHDp60 2K DCI 2048 x 1080 up to 2Kp60 FHD 1920 x 1080 Progressive up to 1080p120 FHD 1920 x 1080 PsF Only via Pulldown to Progressive FHD 1920 x 1080 Interlaced 1080i50 / 1080i60 1280 x 720p up to 720p60 Recording Codecs CDNG SDI RAW Inputs up to 4Kp30 only Apple ProRes RAW ProRes RAW & RAW HQ Apple ProRes HQ, 422, LT Avid DNxHD 220x, 220, 145, 36 (.MOV Wrapper) Avid DNxHR HQX, HQ, SQ, LB (.MOV Wrapper) Recording Functions Pre-roll Recording 8s HD / 2s 4K – ProRes & DNx only Timelapse Supported ISO Recording 4 x ISO up to 1080p60 (3G SDI Level A only) Switched Program Record Supported Playback Playlist Selected Clips, Favorites, or Combined Loop Supported, with user-customizable In / Out Markers CDNG Not Supported Apple ProRes RAW Recorded clips only Apple ProRes HQ, 422, LT (Linear PCM Audio only) Avid DNx DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only) Multi-Input / Switching Dual Input Display via Multi ISO Input Mode Multiple SDI Input Up to 4 x 1080p60 (3G SDI Level A only) Multiview Display via Multi ISO Input Mode Input Switching Supported Supported Media Master Caddy I Not Supported Master Caddy II Supported Master Caddy III Supported SSDmini Supported (AtomX SSDmini Handle requi